Mr Squiggle...or is that you Miss Pat?

So it's late and I really should turn the computer off but gentle rain on the roof is keeping me awake. Well readers...today's instalment is brought to you by my memories of Mr Squiggle and his trusty sidekick (Miss Pat!) I know I'm not alone with this memory as when I last visited Newcastle I saw in a public park a huge piece of industrial machinery. Posed in neat white text upon it was the question...'is that you Bill?' (i.e: Bill Steamshovel) Clearly another fan was in town. 

The reason for this post is actually somewhat removed from the lunar traipsing of Mr Squiggle. It's really about graffiti and its place as public art. While I don't condone some forms of this 'artistic expression' (such as someone writing 'WOW!' on my VW Beetle in 1991) I do love the way it challenges conventional approaches to expression. The two images included in today's post are both taken by David Plummer. The lane way where they were shot runs between Bourke Street Mall and Little Collins Street in Melbourne. What I particularly like about graffiti is how works are posted over the top of each other. Their 'tags' or signatures staking a claim on a space which others have also worked on. That being said, I'd be happy if Banksy made a visit to Canberra and did a small piece in my studio... One can but dream.

The Apfel of my Eye!

Iris Apfel by Bruce Weber

Iris Apfel is a rare and exotic woman. Hailing from Queens in New York she is a fixture on the fashion circuit. Her unique take on fusing high and low pieces together gives her a degree of clout with what I'd imagine would be a tough market to crack. She seems to have the talent of Anna Piaggi without the almost off-putting eccentricity that goes with it. I love her opening line in the following video... "Why do you wear such large glasses?....All the better to see you with!" She ticks all the boxes for me as she's fearless when it comes to her use and composition of colour. Her grace and simple courtesy makes a refreshing change. (Does this mean I'm showing my age???)

Part stylist, part couture Svengali, Apfel originally trained as an interior designer. After completing numerous fit outs on the White House her direction with her Old World Weaver company led her to become an inadvertent fashion icon. I love her glasses...they make her look like David Hockney meets Mr Magoo. Despite that I think she'd be the coolest nonagenarian to go shopping with!

My new obsession

Image: Chris Stott

Lock me up.  Hide my wallet and credits cards. Make me write bad cheques! I would totally need restraining if I could spend a day in the studio of Christopher Stott. Chris is a contemporary realist painter with an obvious nod to the 'Old Masters'. His work is clean and evocative and he works mainly in oils. This gives the his subjects a depth and warmth which is he is clearly drawn to. His lighting is punctuated by shadows which conveys a sense of passing time. I'm seriously in love with his work and am  getting a commission done to sit above my new sandstone fireplace. 

Image: Chris Stott

As a designer my eye is drawn to random objects. A vase which would sit in front of a canvas, a wooden bowl filled with blown glass floats from New Guinea, or a loose bunch of orchids giving a 1970's YSL vibe to the scene. It's the very nature of provenance which gives objects an additional layer of meaning. This can't be replicated by faux French wing chairs from China, or yet another pack of vanilla and bergamot scented reeds that make you feel like you are trapped in a restroom. It's about capturing an essence (and not an artificial one) which embodies a space with personality. I think it's like that for Chris and I'd put serious money on his work becoming increasingly collectible. 

P.S: Any man who lives in a city in the 'vast plains of the Canadian prairies' has got my vote.

Image: Chris Stott

Tinker, Taylor, Art Purveyor?

You've got to hand it to Elizabeth Taylor. Seven husbands, a couple of Oscars on her mantelpiece, and a jewellery and art collection which would make the Vatican blush! (Considering the loot they have in their principal museum that's a big ask.) This remarkable woman; a freakishly talented actor, an avid humanitarian, and an advocate for HIV/AIDS funding when it wasn't fashionable, left not only a void in the artistic community but a design legacy as well. 

Apart from an astute ability to select quality scripts for her movie career she had an unerring eye when it came to jewellery and fine art. The Christie's Auction held in New York Tuesday evening blew the lid off the global recession. The Elizabeth Taylor diamond (shown below) was estimated to sell between 2-3 million dollars and sold for approximately 8!

The Elizabeth Taylor Diamond

Other pieces from the Collection traced the relationships during her life such as the tiara given to her by Eddie Fisher and worn by her at the Oscars. Some are simply representative of the decade or atelier from which they came, exquisite with their detail and craftsmanship. If you are in NYC stick around as her fine Art Collection goes up for viewing shortly...that is if you have a few million spare!

Eddie Fisher Tiara.

Daisy Set (Van Cleef?)

Jacques Tati

Mon Oncle by Jacques Tati was a fantastic movie filmed in 1958. It was one of a series in which he portrayed himself as a bumbling figure ill at ease with consumerism and American 'mod cons'. Tati trained within the family framing company near Place Vendome and caused much dismay to his relatives when he became a performance artist. His movies are wonderful in the way they mix modern culture with his seeming naivety... leading us to to view this new world order as somewhat lacking in depth. 

As I love all things 50's these productions are like a reference book to me. This movie in particular was special as it was his first ever filmed in colour. Like Stanley Kubrick, Tati was known for his attention to the minutest of details in his projects, although I daresay the budgets would have been very different. For me I see something else when I look at his work. His background working with framing seems to have given him the remarkable ability to do the same with a shot or scene. Now I'm just waiting for SBS to bring back a series on his films. They truly are seriously underrated masterpieces of contemporary film-making. 

Scene from Mon Oncle 1958

Jeff Koons

Jeff Koons 'Puppy'. Kaldor Project

Driving over the Cahil Expressway I reflected on the MCA and the visit by Jeff Koons. In 1995 ( in the midst of an acrimonious divorce from Cicciolina! ) Koons designed and installed a 12.4m tall representation of a West Highland White Terrier puppy. To some people it was kitsch at best, to others playful and inspired. To the nursery owners of Sydney it must have been quite a boon as it required up to sixty thousand plants to fill it. A rumour exists that some 'scallywags' ( a favourite word employed by my grandmother) had placed some marijuana seeds in the installation and that they were unceremoniously removed upon being discovered. To those who criticised it at the time I suggest a quick visit to the works of Damian Hirst. You could have a shark in formaldehyde, a scull covered in diamonds, or even a vacuum cleaner. I think I'll stick with 'Puppy". At least his legacy lives on in the grounds outside the Guggenheim Museum in Bilbao. 

Pearls before Twine?

Ethel Granger tribute editorial in Vogue Italia September 2011. Meisel

I just read the September issue of Vogue Italia and it has a provoking cover and editorial piece on corsets. Ethel Granger, an early adaptor of facial piercings and modifications on her waist, is the inspiration for a story which is both simultaneously beautiful and disturbing. The closest I've every been to 'foundation garments' was looking at my grandmother's as a child. Pink and incredibly complicated they appeared to have a closer relationship with pain than improving a silhouette! In the fickle world of fashion they do seem to be making a comeback. From Mugler's biker corset  in George Michael's 'Too Funky' they have traversed the decade to now represent a form of freedom rather than constraint. 

For my feminist friends I don't think this would sit well but for me it says more about the power of transformation. Whatever your opinion it cannot be argued that it would be a good practice for your internal organs. My curiosity asks me where your stomach would reside after such arduous cinching!!!

You'd have to be good at tying your shoelaces for this

Shot from Mugler Campaign Mid 1990's

Hello Summer !!!!

Sincere apologies for my lack of posting. I have been a prisoner of my studio trying to meet Christmas orders and keep the kilns stocked with Bison pieces. With a mountain of new staff and training continuing apace I have been unfortunately so focused on getting this sorted that my poor blog has suffered. Anyhow, we're back!!!!!

I just thought that I'd post an image of our Summer 2011/12 banner which we have just finished shooting. This will go up on huge banners in our three stores this week and was shot by Grant Turner in Sydney. Melinda Ashton-Turner styled and produced this for me as well. With all the pressure I've had re-painting the Canberra store this has been such a wonderful, not to mention kind, gift to me. I thought the shot was so beautiful that I should share it with you as well...

The banners arrive this week but here's a preview. (Feedback welcome)

Best

Brian

Builder's Delight

Work in progress in Bison Pialligo

Right now I'm mopping out water as it floods in to the studio from torrential storms. Our painters have had to stop as we have had two blackouts and I can't pack kilns unless I do it by candlelight! Anyhow...I always consider starting jobs close to Christmas to be the domain of the mentally unsound (I'm placing myself in this category) and this year has proven to be no exception. They say change is as good as a holiday but frankly I'll be needing medication after this is sorted! I guess a clean slate for a space is always a great way to start a busy period but at least I'll have fun setting it up. Come by and visit...we'll be operational again as of tomorrow (Thursday) in Pialligo. As an added bonus if you get high from the wafting odour of paint you'll be in heaven.

Full of Mirth (Hong Kong)

In a former stool factory in Hong Kong sits a great design store called Mirth. Kitted out with fantastic pieces from books to linen, toys to design accessories... and now Bison! Well actually we have been supplying Hong Kong with our vessels since early this year but a new shipment is about to land in-store next week. I've always loved the energy of this city. It has a strange hybrid nature which marries tiny twisting alleys to the hurly burly of a major financial capital. My Uncle had a home on the Peak and his children often spoke of the cable car which took them to the top. 

Mirth is one of those spaces which, miles apart from the generic mass-luxury stores, puts some individuality back in to the retail scene. To have a large amount of space in this town is a rare privilege... one I'm sure which is not lost on those who visit this 1960's warehouse-style venue. And their selection of colours from us is exquisite! 

Where to find it:

MIRTH
The Mezzanine Floor, Yip Kan Street, Wong Chuk Hang, Hong Kong
www.mirthhome.com
Open Monday - Friday (10am-6pm) and Saturday (11am-6pm)

Parking available at the Wilson Car Park next door.

Feeling Good. George Michael with Dita Von Teese

Warning: This video contains images of semi-nudity which some viewers may find offensive. I don't! 

Last year I was fortunate enough to go with one of my closest friends to see George Michael. Yes, the 80's were very good to me! It's a great experience to see a musician live who has developed in tandem with the rest of his generation. What amazed me was that there was such a massive cross-section in the audience. You had baby boomers, the pre Mardi Gras crowd, and a huge number of newbies (18-28 year olds). 

While some people find Dita to be ultimate Vargas pin-up I think she has an incredible 40's glamour fused with serious control of her own image. I have always admired performers who are multi-disciplined and she is no exception to this. While George has morphed from the 'writ large' t-shirt days of Wham to an outspoken advocate for social issues, Dita straddles the world of burlesque and couture with aplomb. Power to them I say although I don't think strapping yourself into a tiny corset would be good for your health!

Thonet #18 Chair

Many people ask me how I manage to find so many 'scoops' on Ebay and Etsy. I must be honest and simply say that being a night owl means you spot items that everyone else misses. (This is owing to them having a normal sleep pattern!) With kilns to check and our busiest time of year rapidly approaching it's pivotal for me to be organised. Some of the best relaxation I find is trawling through the recesses of 'vintage' and 'industrial' furniture on auction websites. 

Dining chairs can be a real dilemma. If you have a rustic-style table as I do (with planks on the top) it's very easy to be fussy with modern chairs or try to be too clever and go heavy industrial. Sometimes the best solution can also be the simplest. That is definitely the case with the Thonet #18 chair. This classic design (over 150 years young and counting) ticks all the boxes in terms of visual and physical appeal. Sweeping uncomplicated lines make it look fluid and organic. The firm seat gives it great utility and the model comes in a plethora of colours. Back to Ebay... I spent an evening 3 years ago tracking down Bentwood chairs. I found a cafe that was closing and purchased 25 of them. I'm planning a dinner party in the near future so who knows... I may even give you a chance to appraise my styling efforts.

Ho No! It's that time of year again...

Just when you think you've seen that last bedraggled Christmas wreath come off a neighbour's house it's time for the cycle to start up again. In a strange version of Groundhog Day we seemingly repeat the exact same pattern year after year. The only thing that changes is the guest list at the random parties which populate the 'silly season'. While this puts me in the dangerous territory of sounding like a grinch I actually love the whole build up to Christmas. I think it comes from seeing your nieces and nephews react with such excitement counting down the days till they can maul a pile of shiny toys and dresses. 

Bison Decorations.  Image: David Plummer

Growing up in the country we had the 'Carols by Candlelight'. This ritual was the equivalent of giving a pack of matches to a pyromaniac (or several hundred children under 7!) Small wonder the local CFA Brigade stood by with a tanker. Apart from the annual butchered pine tree and it's sticky, yet sweet aroma, what stood out for me was decorating the house. Possibly I should have seen the warning bells at a younger  age but doing the tree was always my responsibility. I also remember being concerned that people could see up the angel's dress. What brings me to this point is that we are now making our decorations... including several new ones... as we have done at Bison for the past ten years. What started out as gift tags for nephews has morphed to become a annual event for all of my staff. If you drop by our Canberra store and peep in the studio window you may even see our elves making some!

Ho...Ho...Ho!!!!

The last one standing

Pillar Candles by Illuminate

Just as restaurants open and close with frightening frequency, so to do the workshops of designers. I was reflecting a with a close friend on my first trade fair in Sydney in 1998. Apart from the fact that there were only about 5% of the companies with Australian made product, I was struggling to find any that were still operating. Sure people can build up companies and sell them on. They may even get a divorce, have a mid-life crisis and move to Byron, or just get tired of the ridiculous stresses of modern business. I haven't succumbed to any of the above (but who knows what the future holds!) but the people I admired are obvious by their absence. 

One such company was Illuminate. Originally established in Balmain, Tiffany and Amanda were the precursors of the whole emphasis on interior soft lighting 'mood' . They made amazing pillar candles in a palette of shades which worked in with the whole 'minimalism' and 'zen' aesthetic. The squads of imitators may have hastened their demise but to me they were inspirational. I don't know if any of my readers recall their candles but I have just located a website listing them as available again. The saying 'everything old is new again' springs to mind. Have a look... you may spot an old favourite! www.illuminateonline.com.au

Scented Mosquito Candles

The Colour Field

Image: Anders Gramer

Once upon a time a fledgling designer (and former ancient historian and archaeologist!) was tentatively showing his wares at the Kingston markets in Canberra. A lovely young woman expressed an interest in the designs and the colours we were using. Turns out she was the style editor for Vogue Living and a month or so later my first bowls appeared in the magazine. The Museum of Contemporary Art Store took our range to use with the Yves Klein show and the rest... as they say... is now history! 

Several things about this story stick in my mind. Firstly, she could see past the fact that my pieces were fighting a duel to the death with a tragic green gingham fabric I was merchandising with.  Secondly,  that my style was in it's infancy and that someone recognised a kernel of potential in me. While I'm not intending to sound self-deprecating it's important to acknowledge the role of mentors with emerging designers. It's also significant for us to see the evolution of the interpretation of colour and scale as a tool which is often difficult to translate.

Some fourteen years after we first met I take great pride in introducing my readers to Melinda Ashton-Turner's blog... The Colour Field. The images she analyses are beautiful and inspired. Her approach to the proportion of colour in a room is insightful and a good read to boot. In the words of Molly Meldrum 'do yourself a favour' and click on the link for a colour and texture pantone treat! http://thecolourfield.net

Decisions, Decisions!

It's been an eventful year for our studio in Canberra. We have nearly doubled our staff numbers, introduced new shapes and five fresh colours, and now I'm about to repaint and style the store. What's more I'm trying to get this done while finishing renovations at my home and dealing with the Christmas demand from our stores. Possibly I'm a sadist but more likely a 'window of opportunity' has presented itself now at the most inopportune time of the year! 

Cover House & Garden by Horst. P Horst. Oct 1951

I have been really looking forward to refreshing the Canberra store. One of the difficulties (and simultaneously one of it's charms) is that we are located in the midst of nurseries and garden supply centres.  

This means we'll be unloading kilns and watching sandstone blocks sail past the window destined for a garden in Canberra. We used to have a family of geese who lived on the site. They gave the day a particular charm as they were very specific who they liked and who they though they should pursue. At night we even have rabbits sitting outside my studio. As of this coming week I'll be starting to make some changes. If you are coming to Canberra make sure to drop in and visit us and if you're really lucky we may even be working in the studio making some Bison pieces.

Which shade to choose for my rear wall?

Late Night Musings....

Wild berries with moss.  Iceland 2010.

Ok....normally people who drink way too much gin and need an outlet would be writing at 1.52am. Today, however, this is not the case. The Christmas rush has come unseasonably early and I have been trying to glaze stock for our stores this evening. I actually was finishing pieces in our raspberry and spearmint hues. They look beautiful when paired together and I came across the following image from my Iceland story of several days ago. 

As I've often said, nature is the great mother of all pantones. She mixes and layers colours together with such seemingly random ease. Yes... it's very late and I should be asleep but I thought this image would be a great diversion for my lack of a clear theme for tonight's post. Sometimes a simply beautiful image is all we need to charge our batteries. As mine are operating on a very low wattage please enjoy this image from outside Reykjavik by David Plummer. 

Goodnight!

Ice...Ice...Baby!

Outdoor volcanic springs. 

My partner spent a year at the Royal Tropical Institute in Amsterdam last year. I had several trips over to visit, including a month in summer, but he got to go to one place I'd always wanted to go. Yup... that would be Iceland! Apart from a highly questionable approach to global banking and a liking for spirits that would put AA to shame, the country is fascinating and beautiful in equal parts. I have some images taken by David Plummer which highlight some of the amazing scenery along with some of the most remote farmhouses you're likely to see. If you are after a tan head to Thailand, but if it's a great natural spa I think you'd be hard pressed to find better. And where else could you take a bottle of gin and crack off a small chunk of (clean) ice as you soak your weary feet in volcanic springs. Heaven...

Imagine living here in the middle of winter!

Cash Converter

Use and Re-use. Photo: Brian Tunks

On a consultancy to Malawi my partner purchased this 'artefact' made up of old coca-cola and fanta bottle tops. It was found in Lilongwe (the capital city) and was actually being used as a cash box by a street vendor. All the pieces are wired together, quite ingeniously actually, and they've created a great lidded piece from just an everyday item. I reflected on this and thought if we would even consider making something like this here in Australia? Have we lost touch with the ability to see the longevity and practicality of products to which our parents and grandparents would thriftily give a second life? 

Think of your grandfather's tool shed for example, mine had mason jars attached to racks by their lids. These would be filled with screws and nails and be clearly visible and neatly organised. My grandmother would grow violets and fruit in her large garden and make the best preserves you'd ever tasted. They didn't necessarily have access to the web or the most modern domestic appliances, but they certainly had no shortage of gumption. Maybe that's our problem... in a world filled with instant gratification possibly this is something that's missing. Possibly that's why I love making objects which have multiple uses...and look good too!

Cuffed and Coiffed

During the 70's in rural Australia dressing well was seen as a sign of respect more than simply preening. It's funny how these attitudes are still all-pervasive in my life so many years later. Possibly I'm just a neat freak with a penchant for shiny objects (the magpie principle) or I'm seriously attracted to the meaning behind symbols. Cufflinks were a surefire indicator that your parents were attending yet another ball. That would mean a day of going to the dry cleaners, waiting for your mother at the 'beauty parlour', or being bribed to polish your father's shoes.

Hmmmmmm..........Yoda!

While my mother always had this way of looking achingly beautiful at the same time as peeling a banana for my brother, it was my dad's cufflinks that fascinated me. Shiny and bold they beckoned to me in their lush velvet box. As they only appeared for 'special' events their twinkling gold and mother-of-pearl insignia held the promise of music and laughter and, if we were lucky, a sip of punch. As an adult I have collected these accoutrements of male fashion. Possibly they belong to a bygone era...although if you flick through the pages of any hipster fashion bible then I'm clearly bang on-trend! (An expression I loathe!) What's your poison...would you wear them?

Bling it on! Swarovski in Pink

Plain but perfect for a navy blue jacket 

From Folk Art to Fabulous

Unpainted Dala Horses

In Australia we have the trusty boomerang branded with places names like 'Borambola' or 'Alice Springs'.  Quilting is big in the mid-west USA and babushka dolls are synonymous with Russia. Cliche or not these items have become a form of national identity that all of us can instantly recognise. In Sweden the Dala horse (Dalahäst) is featured in all tourist literature and are even produced in the USA by Swedish immigrants. If you take a trip to Minnesota you'll see what I mean! Originally made for children as a toy during the long, cold Swedish winter nights, they became so popular they were used to barter for goods from about the 16th Century.   

They were specifically made in a small geographic region called Dalarna ( a Swedish Province) which is known for lush dales and beautiful natural scenery. While this sort of 'trinket' normally makes me think 'which cupboard can I hide this in', I'm actually quite enamoured of their simple form. The red reminds me of the colour of Swedish summer houses set against lush green paddocks and lakes. Every home had one of these somewhere and in all truth I have one myself. So cliche or not...wear the badge with pride and love your folk art for its associations as much as any design merit. 

Classic Dala Horse. They can also come in blue or even black.

Out of the Frying Pan

Muted light in the Canberra Store today. Repainting in next few weeks!

Today was the first real taste of summer in Canberra.  The studio was particularly balmy owing to me deciding to fire two kilns on a hot day...never a good idea! Our kilns are fired up to over 1200 degrees Celsius to make the stoneware clay and our glazes reach maturity. In winter this makes for a toasty space to work in. Summer, however, is not great for comfort but is amazing for productivity. We never force-dry clay pieces at Bison. That simply leads to cracks forming and warping which we clearly want to avoid. The ambient heat of late spring through to autumn means our shapes dry quickly and efficiently. Vases that would take a week before we could bisque fire them are now perfect in several days. 

This week has also been a watershed moment for Bison. One of the biggest problems we encounter is the lack of people who have a background in production pottery. We had six people contact us who have started at the Canberra studio and hopefully decide we are a good place to remain. Some are graduating students from ANU, several potters, and a couple of people who have extensive experience with slip-casting. Just as we head in to our busiest time of the year this has been an enormous windfall. I have always enjoyed training people and showing them how complicated (and meticulous) the processes can be.   There's something quite rewarding when you see a person who was unsure and awkward initially become a dynamo who never misses a fault. That and a good sense of humour make our workshop a great place to be. At least in my humble opinion...

Cucina Bowls with Large Milk Bottles.  Photos: B Tunks

And the Winner is!

 Bottles by a potter I like. Cara Taylor. 

Well...after a number of emails (some of which even had me confused!) we have a winner. Richard Harrington got it in one. The technique we were referring to in our 'What am I #2' post is known as slip-casting. What we are trying to achieve at Bison over the coming year is something quite extraordinary. We will be developing forms and objects that we can't make in the round and employing this method to produce them. Stay tuned...more to follow! Have to close off for this evening. We tested a new colour out a few weeks ago and I'll introduce you to it tomorrow... We sneakily sent samples of it to our three Bison stores and have had a great response. 

See you tomorrow

Brian.

Styling Up!

Several weeks ago I started working together with Grant Turner (Photographer/Art Director) and Melinda Ashton-Turner (Stylist Supremo and Producer) pulling some new images together for Bison. When you spend so much time at the 'coal face' ( the Canberra Studio!) it's hard to have the time to keep the visual part of the business growing. I had a sensational two days with my friends, and their talented daughter Lola, working on some new concepts. It was truly rewarding to see the images come through and I promise a lot more will be forthcoming over the next month or so. Here's a taster for the moment as I'll shortly be putting some on our website.

'Ch....ch...ch....changes....'

Photographer: Grant Turner. Styled by: Melinda Ashton-Turner

Oh....and for those of you who have replied to me about yesterday's 'What am I?' post, I'll hold the answer over until tomorrow. You can also reply via comments on the blog as well as email us directly!

What am I ? (Challenge #2)

I am a process which uses the following techniques, tools and talents. I take varying amounts of time to create the desired form and in winter it takes a lot longer for me to be ready. Conversely, in summer you can have two of the same shape twice daily... must be the ambient temperature in the studio! People find this method attractive to make shapes that are not thrown in the round on the wheel, although protrusions to a  shape make it much trickier to finish and wax for glazing/firing. Sometimes I can be made up of a number of parts which must all be removed. 

This is not a torture device although requires lots of effort!

There are basically four main ingredients which are used in the material that forms the basis for any object. I have to be fired twice in the kilns at Bison to obtain the same finish as the wheel-thrown pieces. This process is a relatively recent development in the pottery world but has revolutionised the way  objects can be made. There is a large amount of skill involved in making and finishing the shapes we produce in the studio. Occasionally we add handles, sometimes a sprig-moulded Bison logo, or even cut out a spout and hand-shape it. 

We use rubber strips to hold us together and we are made of plaster.

On the odd occasion (namely last Saturday!) we use our nephew Josh to help make racks for said equipment. This is done unflinchingly as he is concentrating on how many racks will equal the cost of his new skis for the coming snow season. I will wait to see what technique you think this is. I'll close this off in  24 hours time. Your time starts now..........

Josh Tunks slaving away for his uncle Brian at Bison.

Derby Day

Owing to the fact I'm tearing my studio apart today (and I can't get my act together!!!) please excuse my lack of a decent post. What I will leave you with is a tip for those of you braving the four seasons in one day at Flemington tomorrow. Just remember to avoid anything to do with reality starlets (you know who you are Kim Karcrashian!) ...my spelling... and possibly draw some inspiration from the indomitable Ms Evangelista. This outfit comes courtesy of John Paul Gaultier for Hermes (Autumn/Winter 2004 I think). Certainly gets the equestrian theme across and possibly a little dominatrix as well. Love the riding crop!

Is this the way to the Birdcage?

A Single Man

Colin Firth as George

In tribute to 25 years of The Movie Show with David Stratton and Margaret Pomeranz I thought I'd play reviewer for the evening. Sometimes a movie has every element so perfectly combined as to make it almost hypnotic. That's exactly the sensation I had with The Weinstein Company's 'A Single Man' (2009) directed by Tom Ford. The fact that Ford, a designer famous for his role at Gucci, cut his directing chops on such  melancholy material is enlightening in itself. With a cast that would make any director swoon the movie slinks moodily through 1960's LA. It's based on a novel with the same name by Christopher Isherwood. In fact the film focuses on the mood of George reflecting on his lonely existence after the death of his lover in an automobile accident. The fact that his lover was male, and this is frowned on by society at this time, does little to assuage his grief and leads him to plan his suicide.

Without spoiling this for those of you who haven't seen the movie... in the immortal words of Molly Meldrum... 'Do yourself a favour!' The cinematography conveys a pensive beauty and Ford's meticulous eye for detail ensures the sets are elegantly framed in all their 60's glory. He has the uncanny ability to make you feel the sun on your skin or the scent of Charlotte's perfume. Small wonder he led the Gucci group to new heights of financial and design success. There's a part of me that found this a very dark movie but the flip-side was that it was also a story of compassion and warmth. (And I'm a serious sucker for a good ending!)  If you saw this film what did you think?

Colin Firth going against the grain?

Matthew Goode as George's Partner

Julianne Moore as Charlotte